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Bassan, Raphaël. Cinéma Expérimental: Abécédarie Pour une Contre-Culture. Belgium: Yellow Now, 2014.

Berge, Carol. “The Work of Harry Smith: Dialogue Without Words.” Film Culture 37 (Summer 1965): 2-4.

Boechat, M. H. “The Early Poems – by Harry Smith.” Ilha do Desterro 1, no. 1 (2008).

Brown, Mick. “Life in the Far-Out Lane.” The Daily Telegraph (London), June 19, 1999.

Cantrill, Arthur. “Harry Smith Interviewed.” Cantrills Filmnotes 19 (October 1974): 6-13.

Cantwell, Robert. “The Ghost in the CD.” Village Voice, August 8, 2000, 65.

—. When We Were Good: The Folk Revival. Cambridge: Harvard University Press, 1996.

Carroll, Noel. “Mind, Medium and Metaphor in Harry Smith’s Heaven and Earth Magic.” Film Quarterly 31, no. 2 (Winter 1977-78).

Chapman, David. “Chance Encounters: Serendipity and the Use of Music in the Films of Jean Cocteau and Harry Smith.” The Soundtrack 2, no. 1 (2009): 5-18.

Cohen, John. “A Rare Interview with Harry Smith.” Sing Out! 19, no. 1 (April/May 1969): 2-11, 41 and vol. 19, no. 2 (June/July 1969): 2-12, 41. (Reprinted in facsimile in American Magus, edited by Paola Igliori, and in an expanded version in Think of the Self Speaking, edited by Rani Singh)

Crutchfield, Rory. “Discovering Authenticity? Harry Smith’s Anthology of American Folk Music.” Popular Music History 4, no. 1 (2010): 5.

Daniel, Darrin. Harry Smith: Fragments of a Northwest Life. Seattle: Elbow Press, 2000.

Dollar, Steve. “An ‘Anthology’ Grows and a Folk Hero Lives.” The Wall Street Journal, October 4, 2000.

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Fredman, Stephen. Contextual Practice: Assemblage and the Erotic in Postwar Poetry and Art. Stanford: Stanford University Press, 2010.

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Gates, David. “The Roots of Rock.” Newsweek, June 2, 1997, 72.

Ginsberg, Allen. [Journals for March 1961]. In Journals: Early Fifties, Early Sixties, 185-86. New York: Grove Press, 1978.

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Kelman, Ken. “Death and Trancefiguration.” Film Culture (Fall 1964): 51-53.

Klacsmann, John, and Andrew Lampert. String Figures: The Collections of Harry Smith, vol. 2. New York: J & L Books and Anthology Film Archives and Artbook D A P, 2015.

—, eds. Paper Airplanes: The Collections of Harry Smith, vol. 1. New York: J&L Books and Anthology Film Archives, 2015.

Lewis, William S. “Harry Smith’s Fieldwork and the Possibility of a Universal Symbology.” American Journal of Semiotics: A Quarterly Research Publication of the Semiotic Soc. of America 17, no. 3 (2001): 217.

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—. Mystery Train. New York: E.P. Dutton, 1975.

Mekas, Jonas. “Interview with Harry Smith.” Village Voice, June 3, 1971, 22. (Reprinted in Jonas Mekas, Movie Journal [New York]).

—. “Movie Journal.” The Village Voice, March 18, 1965.

Michelson, Annette. “The Mummy’s Return: A Kleinian Film Scenario.” In Meaning in the Visual Arts: Views from the Outside. Princeton: Institute for Advanced Study, 1995.

Moist, Kevin M. “Collecting, Collage, and Alchemy: The Harry Smith Anthology of American Folk Music as Art and Cultural Intervention.” American Studies 48, no. 4 (2007): 111-27.

Nogues, Dominique. “Les 4000 Farces du Diable: Le Cinema de Harry Smith.” L’Art Vivant (1977).

Packard, Vance [presumed author]. “Injuneer.” The American Magazine 135, no. 3 (March 1943): 118.

Perchuk, Andrew, and Rani Singh, eds. Harry Smith: The Avant-Garde in the American Vernacular. Los Angeles: The Getty Research Institute, 2010.

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Sargeant, Jack. “‘Eyeball Head Poem’: The Animated Worlds of Harry Smith.” In Naked Lens: Beat Cinema, 91-100. London: Creation Books, 1997.

Sexton, Jamie. “Alchemical Transformations: The Abstract Films of Harry Smith.” Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema 36 (2005).

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Singh, Rani. “Harry Smith” and “The Last Day in the Life of Harry Smith.” Film Culture 76 (June 1992): 13-21.

—, ed. Think of the Self Speaking. Seattle: Elbow/Cityful Press, 1999.

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—. “Animating the Absolute: Harry Smith.” Artforum 10 (May 1972): 61-71.

—. “Harry Smith Interview.” Film Culture 37 (Summer 1965): 4-13.

—. “[XXX].” In The Avant-Garde Film: A Reader of Theory and Criticism. New York: Anthology Film Archives, 1978.

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—. “The Art of Memory.” The Wire 196 (June 2000): 25-27.

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